The dating and the scientific classification of each find are however guaranteed by explanatory panels accompanying each display case and by a specific chapter of the catalog available in which all the objects on display are presented in their original context. After a first section, dedicated to the history of glass processing in which the furnace of a glassmaker is reproduced (from the Museo dell'Arte Vetraria in Altare), the exhibit is exhibited: first the section dedicated to cosmetics and care of the glass body (balsamari, containers for ointments and perfumes, but also splendid jewels and tools for the toilet), therefore the area related to the kitchen and the banquet (plates, cups, glasses, bottles, jugs, cups, drawers, trays, amphorae, olle, gutti, casseroles, and even flute ...).
As an element of novelty, compared to other exhibitions on Roman glass, it was considered interesting to present the various types of glass together with some ceramic or metal prototypes from which they derive for form and function, to emphasize how the glass fits into the ancient market as replacement of other products, of which it often reproduces the most common forms. The next stage concerns specifically the city of Albenga, through models, maps and graphic reconstructions we try to recreate the environment of the ancient Albingaunum with its thermal baths, the very active port and the busy one (for the time ... ) the road that led to the Gauls, the Julia Augusta on which, just outside the walls, the necropolis faced. Furthermore, two complete tomb outfits are presented with the relative photographic documentation of the archaeological excavation.